Political and media rhetoric bleed into society, creating at atmosphere where it's OK to openly hate, first on the basis of race and religion, but it spreads as the haters feel increasingly confident... This happened yesterday.
Transphobia
I hear shouts out in the street –
not the boisterous hollering
of schoolkids just released or hormoned teens,
but an altogether uglier “oi, come ‘ere”,
“leave me alone, go away”,
“wot the fuck did you say?”
So my ears prick, I look and see four against one –
the one, a middle-aged man,
a transvestite (yes, in broad daylight!),
skirt and leggings, not a dress –
it’s winter, what do you expect?
The four look like a walking stereotype –
trackies, trainers, crap tatts
and though I try hard not to judge beyond behaviour,
it’s not easy – they’re twenty-something,
way beyond the playground
and still hunting for someone to bully,
their victim’s difference used to excuse
the urge to deliver a kicking.
For a moment I thought about not getting involved,
it was the first time I’d witnessed transphobia first hand,
but I’d heard the stories, none with happy endings
and so I chose to intervene.
By now the four have chased the one
into a local shop where the owners,
a quiet, friendly couple, hide behind the counter,
shocked by the black-hot bile.
I push through to where he’s cornered
and stand doorman-style between parasites and prey,
tell the hate-quartet they’ll have to leave
and won’t be hitting anyone today.
They try to have a go, yell about what he called them,
like that’s the way round it happened,
rant about what he wears,
some rabid shite like ‘it shames real women’,
though through the shower of spit-thick vowels,
I cannot work out how,
nor what makes him dirty, pervy,
worthy of their spite.
I give them my best ‘whatever’ face,
reiterate I will not let them translate hate to hurt,
though I can’t retract their words, and we all know
the sticks-and-stones rhyme doesn’t really work.
The alpha-bigot thinks about bunching a fist
and taking a swing,
meets my gaze, thinks again –
they monkey-walk away,
leaving insults and finger-flips as litter in their wake,
and once across the road, they run.
The one tells the police ‘no need to come’,
nothing to report, to him it’s just an ordinary day.
Showing posts with label masculinity. Show all posts
Showing posts with label masculinity. Show all posts
Wednesday, 18 November 2015
Thursday, 2 April 2015
When there are (almost) no words
The photo below is now famous and rightly so - it shows a four-year old girl in a refugee camp, displaced by the Syrian Civil War, surrendering to a long-lens camera because she thinks it is a gun. There are almost no words for how wong this is, and in how many ways, nor for how angry it makes me (and many, many others). Almost. But it was suggested as a prompt by I am not a silent poet after much discussion about it on their facebook page and so I tried to articulate my anger...
In Atman Camp
I see you, power-hungry man,
stomach full of
belligerence and bile.
I see your guns and tanks,
their barrels,
your ill-concealed excitement
and over-compensation.
I see the lists of dead and wounded,
missing, disappeared,
bodies empty as shell-casings
swept into drifts,
their blue lips
your Viagra kiss.
I see the conquered territory
you piss on,
a few feet here,
a few feet there –
and I feel its never-again
poppy-strewn familiarity.
I see your callow excuses
for why you need a war
and why the suffering,
not yours,
is worth it.
I see all this
in the eyes of Adi Hudea,
one tiny refugee
surrendering to a more benevolent
sort of shot
than the one that took her father,
massacred at Hama.
I see her innocence
taken in infancy,
I see what you have done,
you and all your kind,
and I call you out.
In Atman Camp
I see you, power-hungry man,
stomach full of
belligerence and bile.
I see your guns and tanks,
their barrels,
your ill-concealed excitement
and over-compensation.
I see the lists of dead and wounded,
missing, disappeared,
bodies empty as shell-casings
swept into drifts,
their blue lips
your Viagra kiss.
I see the conquered territory
you piss on,
a few feet here,
a few feet there –
and I feel its never-again
poppy-strewn familiarity.
I see your callow excuses
for why you need a war
and why the suffering,
not yours,
is worth it.
I see all this
in the eyes of Adi Hudea,
one tiny refugee
surrendering to a more benevolent
sort of shot
than the one that took her father,
massacred at Hama.
I see her innocence
taken in infancy,
I see what you have done,
you and all your kind,
and I call you out.
![]() |
| Photo by Osman Sağırlı |
Thursday, 23 October 2014
C’mon guys, get over it
I've never really understood why so many men have a problem with women who hold and voice strong opinions – I mean, what do they think’s going to happen? Maybe this is how they think...
C’mon guys, get over it
Feminist, you’re ruthless and unyielding,
those are male traits,
so what are you thinking?
Half the world are girls, so really
women should be soft and touchy-feely
caring souls to make life easy
to a man.
Each time you express a strong-held feeling,
a real opinion,
it sends my sperm-count tumbling, reeling,
the swing of my pendulum limpens and stops,
my cock won’t crow
and I’ve lost two stones,
testosterone falls from the ceiling
to the floor and lies congealing,
then my toughened hide starts peeling.
Acknowledging your mind’s like queering,
my beer turns into weak darjeeling,
my beard’ll soon start disappearing
I’ll admire the songs of Ronan Keating,
so rage against the sexual healing.
Of course none of the above is true,
chaps, what is it that you’re fearing?
No, really, what’s the problem?
Over to you.
C’mon guys, get over it
Feminist, you’re ruthless and unyielding,
those are male traits,
so what are you thinking?
Half the world are girls, so really
women should be soft and touchy-feely
caring souls to make life easy
to a man.
Each time you express a strong-held feeling,
a real opinion,
it sends my sperm-count tumbling, reeling,
the swing of my pendulum limpens and stops,
my cock won’t crow
and I’ve lost two stones,
testosterone falls from the ceiling
to the floor and lies congealing,
then my toughened hide starts peeling.
Acknowledging your mind’s like queering,
my beer turns into weak darjeeling,
my beard’ll soon start disappearing
I’ll admire the songs of Ronan Keating,
so rage against the sexual healing.
Of course none of the above is true,
chaps, what is it that you’re fearing?
No, really, what’s the problem?
Over to you.
Friday, 22 November 2013
Biotic and Modernist
A few months ago, I went to a workshop on Modernist poetry, during which we looked at Wallace Stevens' '13 ways of looking at a blackbird'. It was new to me at the time, but I was immediately grabbed by it - the range of metaphors, the use of imagery and so on. Expanding beyond blackbirds to include other plants and animals, here's a semi-autobiographical response...
13 of life’s moments shared with Wallace Stevens
I
During a squall,
jackdaws shelter
on the leeside of policemen.
II
Nothing is certain,
just as seaweeds are not plants.
III
We sit silently,
us good mates –
the landlord doesn’t mind lodgers having guests,
but what is there to say
when he’s watching TV
and idly cupping
his mastiff’s testicles?
IV
I am an old Jack Russell,
my balls drag in the snow.
V
There won’t be bluebirds over
the White Cliffs of Dover,
not because I don’t dream of peace,
but because the bluebird is not
native to Europe.
VI
Disappointed to find out that
the mummified foetus
of a Tasmanian Devil
has already been sold,
I have to ask myself ‘why?’
VII
Norbert Dentressangle,
Nippon Yusen Kaisha
and Dong Fang,
Triton and Mol the crocodile
bring what from where?
VIII
Pale grey ballast
recently laid and rolled
is soon obscured again
by shoots
of grass and Buddleia.
IX
Flossy the dental nurse
is a nine-grand rhino,
fibreglass,
green and white
with apple-a-day shoes.
X
One big man
admits on stage
how his life was saved.
The saviour,
on duty and
not knowing this until now,
sheds a tear –
gentle gorillas in our midst.
XI
The joy of
discovering a new
sexually-transmitted disease
of ladybirds.
XII
Crows gather,
fly down
and coalesce –
now a back-bent
black-shawled hag.
XIII
We are all stardust,
only some are golden.
13 of life’s moments shared with Wallace Stevens
I
During a squall,
jackdaws shelter
on the leeside of policemen.
II
Nothing is certain,
just as seaweeds are not plants.
III
We sit silently,
us good mates –
the landlord doesn’t mind lodgers having guests,
but what is there to say
when he’s watching TV
and idly cupping
his mastiff’s testicles?
IV
I am an old Jack Russell,
my balls drag in the snow.
V
There won’t be bluebirds over
the White Cliffs of Dover,
not because I don’t dream of peace,
but because the bluebird is not
native to Europe.
VI
Disappointed to find out that
the mummified foetus
of a Tasmanian Devil
has already been sold,
I have to ask myself ‘why?’
VII
Norbert Dentressangle,
Nippon Yusen Kaisha
and Dong Fang,
Triton and Mol the crocodile
bring what from where?
VIII
Pale grey ballast
recently laid and rolled
is soon obscured again
by shoots
of grass and Buddleia.
IX
Flossy the dental nurse
is a nine-grand rhino,
fibreglass,
green and white
with apple-a-day shoes.
X
One big man
admits on stage
how his life was saved.
The saviour,
on duty and
not knowing this until now,
sheds a tear –
gentle gorillas in our midst.
XI
The joy of
discovering a new
sexually-transmitted disease
of ladybirds.
XII
Crows gather,
fly down
and coalesce –
now a back-bent
black-shawled hag.
XIII
We are all stardust,
only some are golden.
Monday, 4 November 2013
More noir
It's been a while since part 2, but now the story continues...
Colour Me Noir III: The Victim
The case weighs heavy in my hand,
Contents whisper
Greedy little suggestions,
It feels unwholesome –
Like this dank-walled back-alley,
All damp and mouldered cardboard boxes,
And discarded news-sheets,
Dead-beat inked,
But I gotta wait –
It’s late, he’s later,
Then the tell-tale click
Of slightly limping feet,
In spat-clad patent seg-heeled shoes
On night-wet sidewalk –
He approaches,
Slyly not-quite-smiling
(No doubt those are unsmiling eyes),
Coat long-sweeping, hat broad-brimmed
And shadowing,
Both dark grey like this city’s air;
He beckons, powder-twitch snappy,
‘Give it ‘ere’ –
‘Make with the dough’, he’s told –
We argue but I know
This hell don’t wanna pay his way;
He’s Red-hand Jack’s man OK –
I turn to leave,
He grabs, greasy-palmed,
A shrug – his hand slips from my gaberdine,
Now a push, a shove,
Fingers slip beneath the coat –
Not for the missing roll o’ bills
But a cheap and tarnished gun,
The old revolver fires,
Slug-smoke curls,
Gutted,
I fall blood-hazed – the case pulls free;
Vision dimming, still I see
A woman stop, jaw-dropped –
Who is she?
My story may be done,
But hers not so – not yet – she runs.
Monday, 30 September 2013
First time into the breach
Last night was interesting - the first time I've read at a poetry competition, and in a huge, splendid mediaeval barn. Though short-listed, I didn't win (the band liked it!), but it was an interesting experience, especially as the audience were very different from what I'm used to i.e. much more 'trad' Shakespeare fans (unsurprising as it was part of the Titchield Shakespeare Festival) - not like the audiences for the more contemporary fare I tend to go for. Saying that, I am partial to a bit o' Bard once in a while and I still like As You Like It, despite being taught it for O-level (not GCSE) English Lit, *ahem* years ago. So, with the competition themes in mind, and inspired by the 'All the world's a stage...' soliloquy, this is what I came up with and it seemed to go down well...
’69 – ‘13
Last year, prime-numbered age held sway,
since then some extra throat-beard grey,
shirt buttons slightly more tum-splayed,
maybe it’s time I was re-weighed.
Oh God, I’m 44.
On average I am past halfway,
it takes less beer ‘til bladdered spray,
and if hungover lose a day,
my liver yells at me ‘no way’.
Oh God, I’m 44.
These days, more trespass than affray,
older than pre-prison Krays,
once Dangermouse, now Colonel K,
or tatty-eared old tom-cat stray,
will my hair fall out with mange?
Oh God, I’m 44.
Docked my first iPod yesterday,
with Paypal not quite so au fait,
watched vinyl’s decline with dismay,
hookers my age carry change,
I fancy Bellatrix Lestrange,
Oh God, I’m 44.
Just twitched a rare Siberian Jay,
rewatched the Darling Buds of May,
but please no cocoa on a tray,
against the dying light I’ll rage,
find my As You Like It stage,
at least men don’t go through ‘The Change’,
Oh God, I’m 44.
‘Cos I still wield a wicked blade,
so far no urge to dress more staid
in crimplene slacks of dun-tan-beige,
I’d fear that mournful colour-change,
rather weekends spent in adult play
than tussling with cheap underlay –
I’ve never felt quite so alive,
I’ll soon be 45.
| Here I am performing at the Festival. |
Labels:
age,
autobiography,
broetry,
festival,
humour,
masculinity,
performance,
Shakespeare,
story,
time
Thursday, 26 September 2013
A little more tolerance would be nice
You've probably heard about Russia's recent homophobic law-making; 'Rainbows over the Volga', my response in terms of what I find to be rather ironic imagery was posted here - and this post? Well, the lovely people at Rebelle Society have just added it to their website here with slightly different formatting.
Monday, 9 September 2013
A little more bro-etry
I was recently introduced to the concept of 'bro-etry' - poetry that speaks to blokes (they being a subset of 'men'). Here's something on this theme:
More Goldwing than Commando?
Old bikers maybe,
whose black t-shirts,
though sporting only the holes they were born with,
and not oil-soaked (or worse)
announce a liking
for Alien and Heath Ledger’s Joker
mostly unobscured by pony-tails
and heavy-metal beards.
Between sips and pots,
they reminisce about pool leagues past,
tut-tut dismay
at ale-stains on relaid baize
despite signs saying ‘no drinks here please’.
The louder one asks me what I’m writing;
it turns out he likes poetry
(even if he pretends it’s only
‘the-boy-stood-on-the-burning-deck’ variety)
and talks of folk-rock,
obscure bands and great nights out
in punky local venues –
it makes sense Blondie was his jukebox choice,
but INXS doesn’t fit
and as for Nickelback,
less said the better.
Recording them in biro scribbles,
I watch another frame fly by –
I thought they must be good
as, denims crisply laundered,
they brought their own brass-threaded
ash-grained cues in cases,
and at a quid a game,
it must be expensive
once you’re good at pool.
More Goldwing than Commando?
Old bikers maybe,
whose black t-shirts,
though sporting only the holes they were born with,
and not oil-soaked (or worse)
announce a liking
for Alien and Heath Ledger’s Joker
mostly unobscured by pony-tails
and heavy-metal beards.
Between sips and pots,
they reminisce about pool leagues past,
tut-tut dismay
at ale-stains on relaid baize
despite signs saying ‘no drinks here please’.
The louder one asks me what I’m writing;
it turns out he likes poetry
(even if he pretends it’s only
‘the-boy-stood-on-the-burning-deck’ variety)
and talks of folk-rock,
obscure bands and great nights out
in punky local venues –
it makes sense Blondie was his jukebox choice,
but INXS doesn’t fit
and as for Nickelback,
less said the better.
Recording them in biro scribbles,
I watch another frame fly by –
I thought they must be good
as, denims crisply laundered,
they brought their own brass-threaded
ash-grained cues in cases,
and at a quid a game,
it must be expensive
once you’re good at pool.
Labels:
age,
autobiography,
broetry,
films,
humour,
masculinity,
music
Wednesday, 21 August 2013
Beyond the Winter Olympics
I guess you'll have seen news about Russia's recent homophobic law-making. Here's my response.
Rainbows over the Volga
See Putin,
topless and bareback
on a riverbank stallion,
or fording a river, AK-47 too-lovingly carressed,
a shoo-in as
May and June in the latest
calendar of post-Soviet homoerotica,
big men,
small trunks,
breaking ice,
nude wrestling in the snow
before retreating to bath-houses,
I mean, really,
all-male bath-houses.
And will there be
polonium-tipped eyebrow pencils
for those who look too closely
at bulging Bolshoi tights?
At Nureyev,
Tchaikovsky
and Ivan the Terrible
or so I’m told?
What of Stalin’s ‘tache?
(just add a leather biker-cap)
as generals stand erect
to watch with pride
the phallic missiles on parade,
how fabulous,
everyone loves a parade,
and the Hermitage,
a homage
to the history of interior design,
boys-only camping in the woods,
over-compensation
by means of bears and beards and forestry
while the ladies admire
each others’ lovely sable muffs,
silky borzois and salukis –
it’s all just so
second-half-of-Sergei.
![]() |
| Created in Putin Gay Dress-up - fabulous! |
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